Tim has a family of his own with a wife and two daughters, while Ted is a hedge fund CEO. Ted and Tim are all grown up at the start of Boss Baby: Family Business. What Happens in Boss Baby: Family Business? Jeff Goldblum is new to the cast too, voicing the villainous Dr. Sedaris' character is also the new Boss Baby. Eva Longoria plays Carol Templeton, Tim's wife, Ariana Greenblatt and Amy Sedaris play Tabitha and Tina Templeton, their daughters. There are plenty of first timers voicing characters in the Boss Baby franchise for this movie.
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I wanted to learn how to do that, and so, from that point on, that's what I said I always wanted to do. It was magical to me.Īnother thing I put into that same category is watching The Wizard of Oz, when they open the door into Munchkin Land. I could not believe how Maurice Sendak had Max's room change from a bedroom into a forest with three page turns. I was about 8 years old when I saw Where The Wild Things Are for the first time in our public library. And then we kind of presented it to our teachers, and it was a book that was in our school library.Īnd so I felt as if I had arrived, you know, then it took a while until my second published book. She's like, 'You know, what are you waiting for?' So she wrote a story, and I illustrated it. When I was in second grade, my best friend said to me, 'Well, I know you want to be a children's book illustrator, so we should get started.'Īnd she wrote a book. How did you come to be an author and illustrator?įrom the time I was a little kid, this is what I said I wanted to do.
I mean, the amount of creativity and passion and expertise of the people who are involved just blows my mind. And afterward, I kept calling him and saying, 'Was that a dream? Did that really happen?' It just felt like I wanted to keep pinching myself. When I first saw that part, I was with my agent, and we were in one of the studios at DreamWorks. I'm thrilled that the se-up - the way the boss arrives - is very similar to the way I drew that happening. So I think it's fantastical and funny, and I find it delightful. As I've watched it develop, I think it's amazing how tight that story has become.
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Because the movie is a completely different form, I knew that there was going to be some kind of a story. You are trying to get as much emotion and story into that very spare form. One of the things that I love about picture books is that you have to be so spare, because of the short length of them. When you take a 32-page picture book and turn it into a 90-minute film, there's going to be, like, so much backstory. The film is loosely based on your illustrations, but it's gone in a completely different direction from the book. So I don't have any real involvement except as a very enthusiastic parent. I'm such a fan of animation and also have such respect for it. My involvement is like a parent sitting in the stands at a soccer game watching their kid on the field. So the vibe is definitely from that time period.įrom little screen to big screen - not too big of a leap! What was the book-to-movie process like for you? Were you involved?
I thought maybe the book would be in black and white in the beginning and sort of framed up with an old TV screen.Īnd as I was thinking of the title page and the front of the book, I was almost imagining that there was a TV jingle or theme song going on while he came in as the main character. In a sort of a midcentury modern context. And when I started to design the book and the look of it, I definitely was thinking of it as being a TV show. It was funnier in my mind if he was a white, stereotypical, male boss in the way that the TV shows of my youth showed that sort of character. The illustrations in the Boss Baby are very distinct - almost retro. Your purchase helps support NPR programming.
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